Adobe After Effects 6.5 Studio Techniques by Mark Christiansen PDF

By Mark Christiansen

ISBN-10: 0321316207

ISBN-13: 9780321316202

Able to examine the visible results secrets and techniques used at such modern studios as commercial mild + Magic and The Orphanage? Adobe After results 6.5 Studio strategies conjures up you to take your paintings to the subsequent point with realworld examples and insider ideas. Get blockbuster effects with no the massive price range as you delve deep into the essence of visible results. This ebook is going past traditional step by step guideline, educating you bread-and-butter results that you should adapt and mix for numerous tasks. actual strategies from genuine execs: no one does it greater, and now they will convey you the way. realize the keys to reading your photographs from Stu Maschwitz, visible results manager for celebrity Wars, Episode One and Sin urban. unencumber the mysteries of linear colour area with Brendan Bolles, co-creator of the eLin plug-ins. grasp basic results suggestions with Mark Christiansen, After results professional for The Orphanage at the Day After the following day. Compositing necessities: regardless of how subtle the impact, all of them commence from an identical construction blocks. discover what you have been lacking approximately colour and light-weight matching, keying, movement monitoring, rotoscoping, operating with movie, and extra. complex strategies: Your objective could be results so stable that nobody notices them. From sky substitute to explosions, from smoke to fireside, discover ways to convey your pictures to lifestyles and improve scenes with no a person ever realizing what they are seeing isn't really a hundred% actual. significant other CD-ROM: specialist instruments produce expert effects. Demo types of plug-ins from Andersson applied sciences, crimson gigantic software program, Frischluft, and Trapcode will increase your paintings. cease hoping on ready-made strategies and pre-built results. how one can increase and customise your individual results with the instruments at handyou'll be surprised at how far better the implications glance!

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Remove Unused Footage does exactly as it says, ridding your project of all footage that is not included in any composition. 18. A similar warning appears when you choose File > Consolidate Footage, which looks for duplicate instances of the same source file in the project and chooses the first of these from top to bottom to represent all instances. Alas, Consolidate All Footage does not eliminate solids clutterthe presence of several identical solids in the Solids folder of your project. After Effects assumes that you are keeping each instance unique so as not to inadvertently edit them all by changing one (despite also offering a check box in the Solid Footage Settings dialog to Affect All Layers that Use This Solid).

Whoops! You thought your background level was pure black, but a glance at the Info palette while your cursor is over the background shows that it is actually 2% grey, which can cause problems further down the line. 42. The three available settings for looping previews are highlighted in blue: loop (the default, top), ping-pong (center), or play through once (bottom); toggle these by clicking on the icon. • Zoom in and take a close look • Examine footage channel by channel • "Slam" your levels to see your work in extreme contrast; this is the practice of temporarily (via a top level Adjustment Layer) applying high-contrast to your composition to make sure that blacks, midtones, and highlights still match (introduced in Chapter 5) • Keep looking for the thing you cannot initially see, and remain critical of the result (without being unfair to yourself) • Expect that you will make careless errors; many final takes are lost to this factor.

Although I highly advocate learning and using keyboard shortcuts wherever possible, and offer effective keyboard shortcuts throughout the book, I advocate context-clicking just as strongly because it is such a good fit with an interface that has the mouse always in your hand, engaged in the process. Between keyboard shortcuts and context menus, I practically never visit the menu bar in After Effects. The amount of mouse dragging and clicking I've saved might not stretch from my studio to the moon, but if I lost this workflow, I would be much less happy.

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Adobe After Effects 6.5 Studio Techniques by Mark Christiansen


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